Maxim Mironov (born in 1981 in Tula, Russia) is an operatic tenor, best known for his interpretation of the bel canto repertoire. After graduating from the Moscow Gnessin State Musical College in he joined the Helikon Opera Theatre in Moscow. Mironov's international career was launched by his winning the competition "Neue Stimmen" in Germany.
He has collaborated with such conductors as Alberto Zedda, Donato Renzetti, Bruno Campanella, Evelino Pidò, Vladimir Jurowski, Michele Mariotti, Claudio Scimone, Jesus Lopez-Cobos, Giuliano Carella, Gianandrea Noseda and Riccardo Frizza.
The stage directors who he worked with include Pier Luigi Pizzi, Dario Fo, T. Servillo, G. Del Monaco, Daniele Abbado, I. Brook, Sir Peter Hall and S. Vizioli.
He has performed the stages of the world including Teatro La Fenice in Venice, Teatro Real Madrid, Théâtre des Champs-Elysees Paris, Théatre de la Monnaie in Brussels, Japan Opera Foundation in Tokyo, Los Angeles Opera, Las Palmas Opera, Vlaamse Opera in Antwerp, Théatre de Luxembourg, Teatro Massimo in Palermo, Teatro Petruzzelli of Bari, Teatro di San Carlo in Naples.
He has participated in Glyndebourne Festival, Rossini Festival in Pesaro, Rossini in Wildbad Festival, the Festival of Stresa and the Aix en-Provence Festival.[1]
Maxim Mironov has numerous recordings on CD and DVD for Dynamic, Bongiovanni, Bel Air Classic, Naxos and Opus Arte.
Adam: Le Postillon de Lonjumeau
Donizetti: La Fille du Regiment (Tonio)
Gluck: Orphée et Eurydice
Mozart: Cosi' fan tutte (Ferrando), Entfuhrung aus dem Serail (Belmonte), Mitridate (Marzio)
Orff: Carmina Burana
Rameau: Castor et Pollux
Rimski Korsakov: The Golden Cockerel (Zvezdochyot)
Rossini: Il Barbiere di Siviglia (Almaviva), Il Turco in Italia (Narciso), L'Italiana in Algeri (Lindoro), La Cenerentola (Don Ramiro), Le Comte Ory (Title role), Otello (Rodrigo), Il Viaggio a Reims (Libenskoff), Messa di Gloria, Petite messe solennelle, Stabat Mater
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